About Chris Hajian

  • “Chris Hajian’s sprit of collaboration is only exceeded by his great talent as a composer!”

    - Joyce Chopra

    Director "Molly: An American Girl on the Home Front"
  • “Your score for the Take is so inspiring…a true artists score. It moves me, makes me feel alive and makes me want to cry. The world hasn’t seen anything yet when it comes to your gift of music. I am honored you scored this film.”

    - Brad Furman

    Director, "The Take", "Fast Forward"
  • “Chris Hajian is a phenomenal talent and even a better person. He delivers time and time again and goes above his duties as a composer. His can do attitude and beautiful music is something every film should be fortunate enough to experience, as he really takes the film to another level.”

    - Trent Othick

    Producer "Yonkers Joe"
  • “Chris is a world class musical storyteller whose compositions continually elevate the films he’s worked on…”

    - Alex Zamm

    Director "My Date With the President’s Daughter," "Inspector Gadget 2," & "Beverley Hills Chihuahua 2"
  • “Chris is an immensely talented composer and is a terrific collaborator. He instinctively goes to the core of a scene and uses music to fill beats that aren’t already there. He’s always subtle and his music is always moving…I depend on him dearly.”

    - Bob Celestino

    Director, “Mr. Vincent” & “Yonkers Joe”
  • “Irrespective of genre, Chris has the remarkable talent to cut straight to the heart and soul of a film. His deep understanding of narrative combined with a fierce intuition and sense of humour make Chris one of the best Composers working today.”

    - Beth Amy Rosenblatt

    Music Supervisor, "Jackie Goldberg, Private Dick"
  • “His compositions both support and enrich the story, whilst taking us on a musical journey that is in itself a representation of the narrative. I loved working with Chris Hajian…”

    - Nadia Tass

    Director "Samantha: An American Girl Holiday", "Felicity: An American Girl Adventure"
  • “Without exception, at every screening, I have been asked who composed the music for my film. I gave Chris a challenge most composers wouldn’t touch because of its unforgiving deadlines–and he never failed…  He is a true artist; I can’t imagine working with any other composer–now or in the future.”

    - Bess Kargman

    Director/Producer, First Position
  • “Chris is a master when he is called upon to either deepen an emotional moment, heighten a comedic bit or help drive an action sequence…”

    - Peter M. Green

    Former Vice President of Development and Production, Disney & Paramount Famous Productions
  • “Chris’ Score really elevated the canvas of the entire picture. He was asked to compose a lot of music and he delivered with grace and class. Chris is passionate, talented and a true collaborator.”

    - Marc Simon & Matt Makar

    Co-Directors "Nursery University", Director "Unraveled" (Marc Simon)
  • “I really enjoyed working with Chris on Knights of Prosperity. He is a nice guy, a hard worker, and very talented. I’ve always found it rare to get all three!”

    - Rob Burnett

    Exec. Producer "The Late Show with David Letterman", Creator/Writer "The Knights of Prosperity", Co-Director "The Greatest Movie Ever Made"
  • “I have had the pleasure of working with Chris Hajian twice now. In addition to being a supreme talent, he is one of the most inclusive and versatile composers I’ve worked with.”

    - Lisa Gillan

    Producer, "Samantha: An American Girl Holiday", Exec Producer, "Felicity: An American Girl Adventure"
  • “Film scores are a voice, as much as any other in the drama, meant to probe the psychological subtext of the moment and have it sing to an audience. This artistry is the measure of a great film composer, and Chris Hajian is a master of it.”

    - David Ray

    Editor "Molly: An American Girl on the Homefront", "Welcome to Academia"
  • “Chris is very adept with a whole variety of musical genres, and he really knows how to make music work with comedy. He is also a pleasure to collaborate with, although he can sometimes be a little tight-fisted when tipping strippers.”

    - Jerry Zucker

    Writer/Creator/Producer "Airplane", "Naked Gun"
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The Latest

New Project “Unraveled” to Premiere at LA Film Festival

Spring is in the air and I am feeling really good! Some cool stuff to report…

One of my latest scores is for an intriguing Feature Documentary titled “Unraveled”. It chronicles the life of corrupt lawyer Marc Dreier, who pleaded guilty on May 11th 2009 to charges of conspiracy to commit security fraud and wire fraud in a scheme to sell $700 million dollars in fictitious promissory notes. It’s a fascinating character study of a man who made such tragic choices in life. This brilliant lawyer has been stripped of his reputation and tarnished his family’s name.

Musically, the score combines an intense minimalist sound palate with traditional orchestral instruments and electronic elements. Because the film largely takes place in Dreier’s apartment (he is under house arrest), I needed to create a score that has a feeling of confinement and isolation while at the same time explores the crime and how this lawyer plotted the fraud.

I am so thrilled to be part of such a quality film! It will be premiered at the LA Film Festival in mid June. It also has been selected for the Nantucket Film Festival at the end of June. What is so challenging about composing a Documentary score is that a composer has to walk the fine line between writing dramatic music yet not tipping the audience to feel a certain way. It needs to be subtle and powerful at the same time, yet not ruining the narrative and forcing it’s way into the story.

I am thrilled to have worked on this film and I hope you get a chance to check it out.

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